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Composition: Piano
Composition: Duet
Measures: 60 - 150
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Renaissance
''Matona mia cara'', Orlando di Lasso (1532 - 1597)
FarrierPete
2:57 Est. Play
Time
116 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
Baritone Bass 11 0 3 5 100%
Bass Bass 12 0 1 4 98%
 
A Hornepype (shortened)
Bartók forever
3:19 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
 
Psalmus sub communione SSWV 156 (TIP)
Bartók forever
5:33 Est. Play
Time
96 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 20 0 6 7 80%
Bass 23 0 7 7 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 20 0 6 7 80%
Bass 23 0 7 7 88%
 
Cabezón - Tiento sobre Cum Sancto Spiritu
Patrx2
2:50 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
Bass 17 0 4 4 70%
Bass 11 0 2 3 17%
 
La Feliciana | A. Banchieri
Die Viole
1:55 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
Soprano (Cantus) Treble 14 0 4 4 96%
Alto (Altus) 10 0 1 6 93%
 
Partite sopra Folia F 2.16
Bartók forever
5:00 Est. Play
Time
97 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 9 7 10 95%
Bass 23 12 6 10 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 9 7 10 95%
Bass 23 12 6 10 95%
 
To Thee, M'lady
wade.allen.965
4:00 Est. Play
Time
120 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 59 1 6 100%
Bass 25 44 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 59 1 6 100%
Bass 25 44 1 6 100%
 
Anchor che col Partire
Debberg
2:44 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 8 6 0 5 91%
Bass 13 16 2 6 94%
Soprano
Recorder		 Treble 15 0 2 7 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 8 6 0 5 91%
Bass 13 16 2 6 94%
Soprano
Recorder		 Treble 15 0 2 7 94%
 
Short Melody No. 27
Huug Verschuijl
2:31 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 41 6 4 100%
Treble 16 13 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 41 6 4 100%
Treble 16 13 3 3 100%
 
Francesco Spinacino: Juli amours
H. Gürtler
4:25 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 29 1 9 7 100%
Treble 17 30 4 7 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 29 1 9 7 100%
Treble 17 30 4 7 99%